by
Elizabeth Jasper Writer
Contemporary ~ adj. 1. living, occurring, or originating at the
same time. 2. Belonging to, or occurring
in the present > modern in style or design.
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From the point of view of a writer, the
‘contemporary’ part of the genre title is straightforward. If you, or someone you know, or know of, who
has lived through the events or period described, then that is
contemporary. So, when I wrote a story
about a girl growing up in the 1960s, it could be described as contemporary
because I, along with many other people, can remember the 1960s and the events
that took place back then. As the girl in the story was only eleven, there was
no question of there being any ‘romance’ in there whatsoever.
Romance, though, is a particularly difficult
term for the writer to quantify. When
does a story become a romance? Is it
when the protagonists exchange warm glances, or when they first kiss, or when
they achieve their (ahem!) happy ending? How much romantic content is necessary in a
book for it to be described as a romance? How much does romance have to do with
sex? Does a focus on the sexual aspects of a relationship mean a book cannot be
described as a romance? When does a book move beyond being described as a sexy
romance into the realms of erotic fiction? How does Chick-Lit fit in to
contemporary romance? Or, is it a question of a reader instinctively knowing
what contemporary romance is when she reads it?
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Amazon.UK Amazon.com Smashwords |
Elizabeth Jasper
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