Louise Wise (also writes as T E Kessler): war books
Showing posts with label war books. Show all posts
Showing posts with label war books. Show all posts

Friday, 5 April 2019

The follow up to the award-winning #WW2 #crime #novel by Jan Edwards has arrived!! Check out IN HER DEFENCE.


In Her Defence
by
Jan Edwards


Winner of the Arnold Bennett Book Prize

“Bunch Courtney’s hopes for a quiet market-day lunch with her sister are shattered when a Dutch refugee dies a horribly painful death before their eyes. A few days later Bunch receives a letter from her old friend Cecile saying that her father, Professor Benoir, has been murdered in an eerily similar fashion.

Two deaths by poisoning in a single week. Is this a coincidence? Bunch does not believe that any more than Chief Inspector William Wright.


Set against a backdrop of escalating war and the massed internments of 1940, the pair are drawn together in a race to prevent the murderer from striking again.”
Amazon US  / UK  /  AU


 Praise for Winter Downs: Bunch Courtney Investigation #1    
“This winning book felt Hardy-esque in places, with a strong sense of well-researched history.” - Lisa Blower; Author and Arnold Bennett Book Prize judge. 
“A satisfying mystery, puzzling and unpredictable with – like the times – an edgy sense of urgency and danger.”-  John Bainbridge; The Gaslight Crime Page.
“Brilliantly written characters and beautifully descriptive language.” - Kerry Parsons; Chat About Books.


Jan was born in Sussex, currently living in North Staffordshire. In addition to being a writer she is also a Reiki Master Teacher and Meditational Healer. Jan is available for interviews and appearances.
  
Other books by Jan Edwards:  Winter Downs: Bunch Courtney Investigation #1; Sussex Tales; Fables & Fabrications; Leinster Gardens and Other Subtleties;  Olive Hawthorne: Daemons of Devils End (book and script team for Dr Who DVD)  

For further information contact:
Jan’s blog page: https://janedwardsblog.wordpress.com/                        

Thursday, 21 June 2018

Leisel is a German Jew who lost her family to the Nazis and has to make her way in Britain, while harbouring a desire for revenge.WIN A BOOK! #ww2 #historical @rararesources @Katrine66


Mary Rosie’s War

by

Catherine M. Byrne

WW2 has been declared. A strange find on the beach gives Mary Rosie the chance to fulfil her dreams and contribute to her country, but all is not what she imagined.
After witnessing the first bomb to be dropped on mainland Britain, Mary watches her friends leave to join the forces and longs to be with them, but is held back by loyalty to her widowed mother.
Amazon
France has capitulated. Johnny Allan’s regiment has been annihilated by German troops north of Paris. Johnny has to find a way to get home and to the girl who no longer waits for him.
Leisel is a German Jew who lost her family to the Nazis and has to make her way in Britain, a strange new country, while harbouring a desire for revenge.
Their lives become entangled in a way that no one could have envisaged.
A story about war, family ties, love, loyalty and loss.

 Excerpt from Mary Rosie's War
Liesel is a German Jew, who, after losing her family to the Nazis, has escaped to Britain. Both she and her baby now live with another German/Jewish family, Renata and Walter Goldberg and their daughter Eva..
Less than a week later, as she lay on her narrow bed staring at the moon through the oblong window, her thoughts went once more to Gustav, the young man who was never far from her heart. She saw him on the deck of the warship gazing at that same moon, thinking of her.

‘I’m safe, my love,’ she whispered, trying to reach him with her mind and heart. Once again she visualised them walking hand in hand along the banks of the Isar. Then they stopped walking and he bent forward and gently kissed her. She raised her fingers to her lips as she remembered the moment, the magic, the way her heart had soared and suddenly she was back in that time of innocence. She had been so happy, so much to look forward to. The sound of water, birds in the trees, the scent of spring in the air, their futures and dreams ahead of them. The biggest problem in her life had been how to tell her parents she was in love with a Christian.

The sudden, harsh screech of sirens tore the air and jolted her from her dreams. She leapt to her feet, pulled her coat over her nightdress and grabbed Gussy from his cot. She met Renata and Eva on the landing and together they hurried downstairs. Walter, a member of the Home Guard, was away on night duty. By the time she reached the ground floor and flung the door open, she could hear the drone of the bombers overhead, an eerie, unnerving sound.

‘It’s too late to reach the shelter.’ Renata shouted over the noise of whistling bombs and exploding buildings. ‘Under the staircase, quick.’

Liesel slammed the door on the hell outside. They huddled under the staircase where another family had already taken refuge. All of a sudden the whole building shook and pieces of masonry crashed around them. Liesel was pitched forward, still clinging to the screaming baby. Her head jarred against the concrete floor. Gussy’s screams abruptly stopped. In that moment she lost consciousness.

When she next opened her eyes it was to a throbbing pain in her head. She was lying on her back staring into the sky. As the dust cleared, she saw that most of the building around her had gone and the sky over the city had taken on a strange red glow. The colour seemed to rise and fall and it took her a while to realize that it was the reflection from fires blazing all around them. Overhead the searchlights were tracking one of the German bombers. Once they had it pinpointed, it looked like no more than a silver fly. How could a fly inflict such damage, she thought as the anti-aircraft guns burst into life. It wasn’t long before the sound of the German engines changed. The drone became a high pitched scream as a plane plunged downwards.

Liesel watched the swirling colour above her head and felt no pain. Then another piece of the building crashed towards her and she watched it as if in slow motion. It hit a mish-mash of beams to her right where it was arrested and balanced precariously. Dust and small bits of masonry fell, filling the air and cutting off her breath, as more of the building tumbled inwards entombing her. She tried to swallow, but her mouth was full of dust.

The house has gone, she thought. She felt the weight of Gussy on her breast and knew there was something important that she should do, but couldn’t fathom what. Then the weight had gone and someone stood above her surrounded by a bright light and in his arms he held her baby. At that moment she thought she recognised Gustav. She tried to speak, to say his name, but as she fought to hold onto consciousness, she slipped once more into nothingness.

The next time she woke it was to a white light. She tried to move her head but pain swept through it. Things gradually became clear and realisation crept in. She was in a hospital bed.

‘Gustav? My baby?’ she cried, but only a croak came from her dry throat. A nurse bent over her. ‘You’re awake. You’re safe now.’

‘Thank God you’re alright,’ came a voice she recognised. She carefully turned her head and Walter was sitting by the bed, his craggy face streaked with tears. He still wore the uniform of the Home Guard.

‘Mr Goldberg’s been here all night,’ the nurse told her. ‘I’ll leave you now.’

‘The others?’

‘There were a few survivors,’ his voice broke and he covered his face. ‘Renata and Eva…’ He spoke through his sobs.

‘And Gussy?’ Her heart seemed to swell painfully until she was sure it would explode.

‘I’m… sorry. He…he would have died instantly.’

At first she experienced disbelief. Gussy dead, no, it wasn’t possible. She’d seen him and he had been smiling up at his father. His father? She was dreaming. None of this was real. A wail began in her chest, but her throat closed on it and a cold pain claimed her. A pain so deep it defied an outward display of
grief. She turned her eyes and stared at the far wall. ‘Why are you lying?’ she whispered. ‘I saw them.’

The only answer was Walter’s big paw of a hand closing on her shoulder.

Several days later the rabbi and his wife came to collect her. She had not spoken since the devastating news of her son’s death. The Nazis had taken everything from her leaving her numb, her only emotion, a burning desire for revenge.



Catherine Byrne always wanted to be a writer. She began at the age of eight by drawing comic strips with added dialogue and later, as a teenager, graduated to poetry.  Her professional life however, took a very different path.  She first studied glass engraving with Caithness Glass where she worked for fourteen years. During that time she also worked as a foster parent.  After the birth of her youngest child she changed direction, studying and becoming a chiropodist with her own private practice.  At the same time she did all the administration work for her husband's two businesses, and this continued until the death of her husband in 2005.  However she still maintained her love of writing, and has had several short stories published in women's magazines.  Her main ambition was to write novels and she has now retired in order to write full time.

Born and brought up until the age of nine on the Island of Stroma, she heard many stories from her grandparents about the island life of a different generation. Her family moved to the mainland at a time when the island was being depopulated, although it took another ten years before the last family left.
An interest in geology, history and her strong ties to island life have influenced her choice of genre for her novels.

Since first attending the AGM of the Scottish Association of Writers in 1999, Catherine has won several  prizes, commendations and has been short-listed both for short stories and chapters of her novels. In 2009, she won second prize in the general novel category for ‘Follow The Dove’

In 2016 The Road to Nowhere  won second prize in the Barbara Hammond competition for Best Self Published novel. The follow up, Isa’s Daughter won 1st prize in the same competition the following year.

Although the books follow the fortunes of the same family, they are all stand-alone.

The fifth book in the Raumsey series is  Mary Rosie’s War.

Catherine Byrne lives in Wick, Caithness.

 Social Media Links –   





Giveaway – 1st Prize – all 4 of Catherine Byrne’s previous books in paperback . 
6 x Runners Up Prizes – PB copy of Broken Horizon  (UK Only)

*Terms and Conditions –UK entries only.  Please enter using the Rafflecopter box below.  The winner will be selected at random via Rafflecopter from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days then I reserve the right to select an alternative winner. Open to all entrants aged 18 or over.  Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, with the exception of the winners’ information. This will passed to the giveaway organiser and used only for fulfilment of the prize, after which time I will delete the data.  I am not responsible for despatch or delivery of the prize.



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Wednesday, 21 June 2017

Jan Edwards reveals the secrets for keeping the villains in her stories alive! @Jancoledwards #crimebooks #WW2

Jan Edwards reveals...

Secrets about my writing? Tricky. I have always seen myself as, if you’ll excuse the pun, an open book. Or am I?


Much of my short fiction is crime or horror based and there is a sort of a secret thread that emerges from time to time. Sometimes I like to let the bad guy win or at very least escape more or less intact, and in a few of my short horror stories it's the victim who dies!


We all know that good does not always win even though we might want it to, and allowing evil to triumph in fiction reflects real life, and that's what I like to do in my writing.


The line between light and dark is often more muddy grey marshland in my fiction. Sherlock Holmes allowed the villain to escape justice on many occasions, either because he felt that the crime was committed for the best of reasons or that the consequences of the arrest outweighed the crime itself.


Leaving the enemy to walk is a ruse best used where there are several offenders to choose from. Kill off or capture one (or more) and leave the last to run off into the darkness with murder and revenge in their black hearts...  Sorry, getting carried away.

In my defence, as the writer, I may want to use a particular villain again, which obviously can’t be done once I’ve killed them off. On the other hand –  I do also like destroying them in spectacular fashion.

Decisions, decisions...

Introducing...

Winter Downs

In January of 1940 a small rural community on the Sussex Downs, already preparing for invasion from across the Channel, finds itself deep in the grip of a snowy landscape, with an ice-cold killer on the loose.

Amazon.UK | Amazon.com
Bunch Courtney stumbles upon the body of Jonathan Frampton in a woodland clearing. Is this a case of suicide, or is it murder? Bunch is determined to discover the truth but can she persuade the dour Chief Inspector Wright to take her seriously? 



Friday, 2 June 2017

While Britain is preparing for #war in 1940, a small community is rocked by a grisly #murder by @Jancoledwards writer of #crime


Winter Downs
Jan Edwards


3rd June 2017 | Penkhull Press
ISBN 978-0-9930008-6-7
Paperback £10.99 tbc | ebook £2.99 tbc


In January of 1940 a small rural community on the Sussex Downs, already preparing for invasion from across the Channel, finds itself deep in the grip of a snowy landscape, with an ice-cold killer on the loose.
Bunch Courtney stumbles upon the body of Jonathan Frampton in a woodland clearing. Is this a case of suicide, or is it murder? Bunch is determined to discover the truth but can she persuade the dour Chief Inspector Wright to take her seriously? 


Winter Downs is first in the Bunch Courtney Investigates series. Published in paper and e formats.



Jan Edwards is a Sussex-born writer now living in the West Midlands with her husband and obligatory cats. She was a Master Locksmith for 20 years but also tried her hand at bookselling, microfiche photography, livery stable work, motorcycle sales and market gardening. She is a practising Reiki Master. She won a Winchester Slim Volume prize and her short fiction can be found in crime, horror and fantasy anthologies in UK, US and Europe; including The Mammoth Book of Dracula and The Mammoth Book of Moriarty. Jan edits anthologies for The Alchemy Press and Fox Spirit Press, and has written for Dr Who spinoffs with Reel Time Pictures. 

For further information please contact Penkhull Press at: https://thepenkhullpress.wordpress.com/
Jan is available for Q&A s and interviews. Follow the links to the Q&A page if time is pressing and you can just pick a few questions that appeal to you or get in touch at the links below.
Follow the tour!


Tuesday, 11 December 2012

Present day, alternate world, different rules

by

Alison Morton


Writing crime and thrillers with an alternate history setting throws up twin challenges – to tell a tense, fast-paced story with a punchy ending plus get the historical background right. Historical? Well, yes. Unless a writer knows their history, they can’t alternate it. Knowledgeable readers out there will be disappointed if a writer makes a serious blooper when projecting history in a different direction. And disappointing the reader is a writing crime.

Alternate history stories, whether packed with every last piece of information about their world or lighter where the alternative world is used as a setting with bare detail released only when crucial, need to follow three ‘rules’: nail the point of divergence from the real time line that has carried on in our world; show how the alternate world looks and works; and flesh out the consequences of the split. Writing crime, mystery and thrillers in this environment ain’t easy, but it’s fun!

Readers can take cops being gentle or tough, enthusiastic, intellectual or world-weary. Law enforcers are all genders, classes, races and ages and stand in various places along the personal morality ruler. But whether corrupt or clean, they must act like a recognisable form of cop. They catch criminals, arrest and charge them and operate within a judicial system.

In alternate history, writers draw on history before the point of divergence as C J Sansom does in Dominion. But he then goes on to stretch and distort the functions of the Special Branch we know into a Gestapo-like force and the Special Constabulary into the Auxiliaries similar to the French Second World War milice. In my own earliest story in the series set in the mid-twentieth century in a country founded sixteen hundred years ago by Roman refugees, the town cops are still called ‘vigiles’ after the ancient Roman ones; then, they caught thieves and robbers, put out fires and captured runaway slaves. They were supported by the Urban Cohorts who acted as a heavy-duty anti-riot force and the even the Praetorian Guard if necessary. The modern vigiles in my earliest alternate story carry out the functions of a police force that anybody would recognise today. And there is still a Praetorian Guard, but a very modern one. Both services have to deal with the criminal mind whether rational, completely disconnected from societal norms, opportunistic or terrorist.

Something to remember, especially when writing a series, is to let organisations develop. My vigiles are disbanded then re-formed as ‘custodes’ in the three later stories following a catastrophic civil war. They evolve in a similar way that London Bow Street runners gave way to Sir Robert Peel’s Bobbies who in turn developed into the modern Metropolitan Police.

Legal practicalities in alternate history stories can be quite different to those in our real timeline, but they must be consistent with history of that society while remaining plausible for the reader. My alternate world has examining magistrates (echoing ancient Roman practice) and a twenty-eight day post-arrest, pre-charge detention period which police services in our timeline would probably love! Questioning is robust, but there’s no gratuitous physical brutality – things have moved on since ancient Roman times when the punishment officer would take a criminal off into the corner and beat him into a pulp. In the 21st century, the approach is more psychological, wearing the detainee down, but the odd slap creeps in.

If writing in any foreign language environment, whether in this world, off-planet or in a different time, using local words for police, e.g. ‘Schupo’, ‘carabinieri’ or ‘custodes’ enriches the setting. But the writer has to explain in a non-obvious way. An example from my earliest book:

He handed me his card. “Kriminalpolizeikommissar Huber – GDKA/OK”. Juno, he was one of the German Federated States organised crime investigators. We were in the big time here. I glanced up at him, but he looked even grimmer, if it was possible. I decided to play safe.
The same applies for slang, which naturally peppers any thriller with police and military characters:
‘Dear me,’ he murmured, ‘you are a cross little scarab, aren’t you?’
I knew he was winding me up by using scarab, the derogatory word for the custodes. I might deal with a lot of shit in my job, but I was no dung-beetle.

Getting professional help? Do your research first! If writing a contemporary police thriller, writers should at least read around the basics; detection and arrest procedures, forensics, interviewing and case development. For political or military thrillers, the same applies for structures, chain of command, intelligence procedures and weaponry. Apart from watching television and movies and reading other writers’ books, I find Wikipedia is an excellent place to start if researching a specific force, police service or weapon. After that, most libraries and bookstores will have real life accounts written by former members of those services. For legal background, you could start with the lawyers’ associations and see if they have any public education programmes, similarly the probation and social services. If you ask reasonably intelligent, specific questions (make a list!), serving and retired professionals will usually be delighted to help you, especially if you mention them in the acknowledgements.

If you’re writing in a historical whodunit or thriller, then as well as the reading, you are probably going to become good friends with your county archivist and possibly the British Library staff. As you have no living professional to consult, you should find at least two preferably three sources for your information. Law enforcement officers’ roles, powers and practices varied hugely in the past and if policing existed at all in some past eras, it was often carried out by the military. You soon get to know your Tacitus from your Pliny or Caesar!

Crime, mystery and thrillers are one of the most popular genres in our bookshops, whether online or bricks and mortar. Whether you have a historical, contemporary or alternative setting, research and meticulous accuracy are the watchwords for keeping on the right side of the writing law.

Author Alison Morton
Alison Morton has a master's degree in history, has served time as a translator and soldier, and is a deep-steeped ‘Roman nut'. 

Currently living in France, she writes Roman-themed alternate history thrillers and her first novel, INCEPTIO, will be published by SilverWood Books in March 2013.

Watch this space!


Wednesday, 19 January 2011

The Doctor, The Plutocrat, and the Mendacious tells the story of 1940s England

 Glyn Pope's re-telling of the post-war era takes you backwards in time to England with a stark reminder of what is was like for millions of people back in the 1940s.

DOCTOR LATYMER arrives on a council estate in Leicester, England, full of hope after the dreadful experiences of the war. He happily settles into life on the estate trying to forget the nightmare images in his memory. The young doctor quickly becomes the local miracle worker when he cures the attention-seeking hypochondriac Reginald, and takes the time to befriend a sad little boy who has lost his Mother.

However, when food poisoning strikes the estate residents, Doctor Latymer sets out to right injustices that he doesn't fully understand. He tangles with Sir Brian Britley, the Plutocrat, and Sir Henry Norrington, the Mendacious Minister for the British Government. In the process, he unravels the delicate balance between rich and poor, and the struggling economy still reliant on rationing and the black market.



Glyn Pope grew up on a council estate in England. He studied theology at Nene University. In addition to writing short stories and novels, Glyn interviewed Bob Marley the night before Marley canceled his UK tour and went back to the warmth of Jamaica. Glyn has published articles for both Leonard Cohen and Bob Dylan ‘fan’ magazines, and has won a short story competition in the magazine 'Devon Life.' He has two novels published. A few years ago he and his wife and daughter moved to France where he pursues a full time writing career.

Due to popular demand I have been informed that you can download The Doctor, The Pluocrat and The Medacious Minister from Smashwords: http://www.smashwords.com/books/view/30805 

Reviewed by Stephen Butt of BBC Radio who wrote '' Rich in atmosphere and the colour of the time, all the characters in Glyn Pope's novel are alive. This is a true reflection of life in a certain suburb of Leicester in the English East Midlands, but the themes are universal. This could well be your neighbourhood facing the challenges of a changing world at the end of the 2nd World War. Enjoyable and challenging." 
Click below for the interview: