by
Alex Laybourne
When creating anything that is going out into the public domain, there is always that question of, The Line. That imaginary boundary that limits the artist, that keeps them within the borders of the socially acceptable.
Luckily, I’m a horror writer. I truly believe that horror is the last genre to be unhindered by boundaries. There is not one idea or story that could not be successfully written about in a horror novel. There are no taboos when talking about horror. Sure, as a writer we would all have our own personal limits. Certain stories or plot twists that we would not use. That does not make it a boundary through, not in the sense of what is acceptable to the public. Horror should, in varying measures, terrify, sicken and disturb. It should make people shudder and to want to shut the pages, avert their eyes and thing of rainbows and unicorns. That is what makes horror so great.
Realities are there to be stretched, horror, unlike any other genre, should not just be about the words on the page, or the story within the book. True horror should stay with you long after the book closed. Take The Shining from Stephen King or pretty much anything by Clive Barker. Those books are great stories, but even better works of horror, for they leave something behind, clinging to the soul. It is impossible shake. Reading those books changes you, in some small, unnoticeable way. You don’t generate that effect by staying within the limits of the socially acceptable, or by writing mainstream pop culture monsters. You get it by being a visionary, by taking an idea and twisting it into something hideous. Starve it. Poke it with a stick. Then release it out into the world.