Louise Wise (also writes as T E Kessler): historical romance

From Louise Wise

Showing posts with label historical romance. Show all posts
Showing posts with label historical romance. Show all posts

Friday, 8 February 2019

An author interview, an Amazon gift card, an AMAZING new book to check out! @RachelBrimble @rararesources #win #historical #fiction #Suffragettes



A Rebel at Pennington’s

by

Rachel Brimble



One woman's journey to find herself and help secure the vote. Perfect for the fans of the TV series Mr Selfridgeand The Paradise.




1911 Bath. Banished from her ancestral home, passionate suffrage campaigner, Esther Stanbury works as a window dresser in Pennington's Department Store. She has hopes and dreams for women's progression and will do anything to help secure the vote. 


Owner of the prestigious Phoenix Hotel, Lawrence Culford has what most would view as a successful life. But Lawrence is harbouring shame, resentment and an anger that threatens his future happiness.



When Esther and Lawrence meet their mutual understanding of life's challenges unites them and they are drawn to the possibility of a life of love that neither thought existed.
With the Coronation of King-Emperor George V looming, the atmosphere in Bath is building to fever pitch, as is the suffragists' determination to secure the vote.



Will Esther's rebellious nature lead her to ruin or can they overcome their pasts and look to build a future together?




An interview with the author of A Rebel at Pennington’s - Rachel Brimble
Hello Rachel, and welcome to WWBB. Tell us about the publisher. Who are they and what are they like to work with? 
When I signed a four-book contract with Aria Fiction in January 2018, it was my first time working with them and, I have to say, they have been absolutely fantastic. My editor completely understands my vision for the Pennington’s series and fully supports my ideas and plans. Her revision notes only serve to make my work stronger and her suggestions are always spot-on. 
I also work with the digital/PR person at Aria and she, too, is so good. Lots of great marketing ideas and encouragement. 
I would DEFINITELY recommend Aria Fiction to other authors – no question. 
That’s fantastic. It’s always good to have that rapport with editors. Can you tell us how you dealt with rejection letters in the past or bad reviews in general? 
Quick answer is ‘read them and move on’ – the not so quick answer… Rejection letters and bad reviews are part of the business, unfortunately. Even the bestsellers or books that become ‘classics’ have been rejected and received bad reviews. Writing, like any of the arts, is subjective. People will like, love or hate your work. There is absolutely nothing you can do to change that so, of course, read the feedback and decide if you wish to take any comments onboard and then…move on! 
What’s your least favourite part of the writing process? 
The middle of the book – every time! A Rebel at Pennington’s is my 20th published novel and, after writing for thirteen years, my process has grown and changed to the point that I now have a system that works for me. However, it doesn’t matter how much I plot out my books before I start writing (I am a total plotter!), I always hit the 40,000 word mark and things start to spin out of my control for a while. The characters either take over and go off in a different direction I wasn’t expecting, or they might reveal something about themselves I hadn’t factored and this ‘thing’ changes the whole dynamic of the novel. 
Writing is hard, frustrating and apt to make the author cry sometimes (truth!), BUT I love it and will never stop. 
And the best part? 
There are two best parts for me – first, typing ‘The End’ when the first draft is finished. This is my absolute bliss time. A fully-written book is so much easier to tweak, cut and change than a ream of blank pages. I love working on the words I’ve already written and making them better. The second is receiving my cover for the first time. That always means the book is actually happening and, before long, readers will be reading it. I’ve been lucky with my covers so far and like them all. Long may it last! 
Promoting is something ALL authors struggle with. How are you managing yours? 
Promotion is definitely one of the most difficult aspects of the business – I’m yet to find a way that ‘works’ so I try my best and hope it means readers find my books. I am on Facebook, Twitter and Instagram where I make sure I post regularly as well as ensuring I set up blog tours in the UK and US whenever I have a new release. Engagement with your audience is paramount and there is nothing I love more than chatting with readers! 
Does writing energize or exhaust you?
Energise, definitely! Writing is my lifeline. The thing that makes me happy and brings me joy. Writing stopped being a choice for me about ten years ago. Instead, it became a compulsion. Something I HAVE to do. I even take my laptop on holiday these days – believe me, it’s much better this way. If I have to go three consecutive days without writing, I turn into a savage. Ask my husband and children, lol!

And why did you write A Rebel at Pennington’s? Was there a spark that made you put pen to paper (or fingers to keyboard)?
I have always been passionate about women’s rights and equal rights, so I knew very early on I wanted to write a series with a ‘female empowerment’ theme. I loved watching the TV series, Mr Selfridge, but I always wanted the female characters to be explored more deeply, to find out more about their issues and frustrations. The first book (The Mistress Of Pennington’s) covers Edwardian women in business and this book, A Rebel At Pennington’s, covers the women’s suffrage movement. We should never forget the struggle these women went through to secure the right to vote. So many women suffered for something that would ultimately benefit women forever.
OMG! It sounds fab! Go on… give me the first, middle and end line in your book.
First: In a small post office situated in one of the many back alleys that wound like a spider’s web throughout Bath’s city centre, Esther Stanbury feigned interest in a rotary stand of greeting cards.
Middle: Fear he might one day break her heart if she were to fall in love with him was what made her flee from his home that fateful, sensual night they’d been alone.
End: Lawrence squeezed her fingers. ‘Always.’
Who would be your dream cast if your novel was made into a movie?
Ooh, this is an easy question for me to answer as I start each new book trawling the internet looking for ‘pictures’ of my hero and heroine. Occasionally, I’ve chosen models but, most of the time, I use real-life actors.
For A Rebel At Pennington’s, I would love to have Hayden Panettiere play Esther and Chris Evans play Lawrence J
What was edited out of this book?
Nothing, lol! What tends to happen with my books is my editors want more added – there are usually one or two threads they feel need deeper exploration. A Rebel at Pennington’s was no exception and the book grew from 90,000 words to 106,000.
Thank you so much, Rachel. Best of luck with the book!



Rachel lives with her husband and their two daughters in a small town near Bath in the UK. Since 2007, she has had several novels published by small US presses, eight books published by Harlequin Superromance (Templeton Cove Stories) and four Victorian romances with eKensington/Lyrical.

In January 2018, she signed a four-book deal with Aria Fiction for a new Edwardian series set in Bath’s finest department store. The first book, The Mistress of Pennington’s released July 2018.

Rachel is a member of the Romantic Novelists Association and Romance Writers of America, and was selected to mentor the Superromance finalist of So You Think You Can Write 2014 contest. When she isn’t writing, you’ll find Rachel with her head in a book or walking the beautiful English countryside with her family. Her dream place to live is Bourton-on-the-Water in South West England.

She likes nothing more than connecting and chatting with her readers and fellow romance writers. Rachel would love to hear from you!


Giveaway – Win £15/$15 Amazon Gift Certificate (Open 
Internationally)

*Terms and Conditions –Worldwide entries welcome.  Please enter using the Rafflecopter box below.  The winner will be selected at random via Rafflecopter from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days, then I reserve the right to select an alternative winner. Open to all entrants aged 18 or over.  Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, except for the winners’ information. This will be passed to the giveaway organiser and used only for the fulfilment of the prize, after which time I will delete the data.  I am not responsible for despatch or delivery of the prize.

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Saturday, 12 January 2019

Refresh your dialogue writing with @VirginiaHeath_ PLUS win a copy of her AMAZING book! #giveaway #regency #romance #wip #fiction @rararesources

HOW TO… Write dialogue without it being stilted
By
Virginia Heath


Dialogue is one of those things which brings characters and situations alive, but it’s a tricky skill to master. Done well, and a reader should be able to both hear and see the characters speaking; done badly, it becomes long, meandering and dull or worse, confusing.  
Bizarrely, despite writing perfect prose for a living, when that prose involves dialogue, for a writer certain rules of grammar simply have to be broken. For a start, people rarely talk in full sentences. We finish each other’s sentences, give abrupt one word answers to equally short one word questions. Often, the true meaning is all in the subtle nuances or pauses rather than the words themselves. Each character needs to have their own distinct voice, so the reader can identify them simply by the way they sound. As authors, we are always told to show not tell, however it is easy to fall into the trap of using dialogue to do this and overdoing it by attempting to get the characters to say everything. 
And then there is the tricky problem of animating your characters as they speak. This makes them feel real because humans are not static creatures. In fact, the truth is you cannot show an entire scene using conversation alone. There is a very good reason for this- as humans, 90% of our communication is non-verbal. That’s an actual statistic and something I always try to bear in mind when constructing a good dialogue scene. Body language often tells us more of the truth than the words coming out of a character’s mouth. As do the internal thoughts of the character whose head you happen to be in. Dripping those human qualities into the conversation enrich it.
Let me give you an example. In the early scenes of The Uncompromising Lord Flint, when the hero is tasked with escorting the heroine, his prisoner, to London to stand trial, I need the readers to empathise with both characters from their first conversation despite one of them apparently being a traitor and their conversation being an interrogation…
She snorted and tossed her head dismissively. “There will be no leniency nor a fair trial. Your courts will hang me regardless of what I say or do not say. I have been tried and found guilty already. Non?”
“Perhaps that is the way they do things in France, but back home…”
“Spare me your superior English lies. I am not a fool Monsieur Flint. My confession makes your job much easier, yet it will not help me. Whether it is by an English hangman or a French assassin, my life is soon to be taken from me.” Her dark eyes locked with his and held. Beneath the façade insolence he saw sadness and fear and wished he hadn’t. She was easier to hate when devoid of all human feelings. Knowing she possessed some made it difficult to offer false hope.
“Confession is good for the soul, or so I am told. You will meet your maker knowing you repented at the end.”
“My maker knows the truth already Monsieur Flint. I have nothing to prove to him.”
“Perhaps you do not understand the gravity of what you have done? Are you aware of the consequences of your actions?” He didn’t bother pausing for an answer. “This year alone, eighteen men have been murdered thanks to you. Granted, many of them had it coming. Seduced by the easy riches that come from smuggling, they were lured to participate in high treason and reaped the rewards. When you dance with the Devil, you inevitably get burned. However, ten of those men were servants of the crown whose only crime was doing their duty. They were murdered in cold blood.”
“Not by me. I am merely the messenger!”
Instantly annoyed and determined to control it, Flint stood and braced his arms to loom across the desk. “They were simply doing their duty, yet your people reacted as true cowards always do. They killed innocent men to save their own corrupt skins.” He opened a drawer in his desk and pulled out a sheet of paper. He didn’t need the list. Their names were forever engraved on his heart, but he appreciated the gravitas of an official document as well as the bolster to his resolve to remain unmoved by her.
“Allow me to tell you about them. Let’s start with Customs Officer Richard Pruitt. His throat was cut when he boarded one of your ships before Christmas last. He is survived by his wife and three small daughters, none of whom are old enough to remember their brave father.” A quick glance showed that her face had blanched but she still met his gaze dead on. “Shall I continue?”
She shrugged and turned her head away from his gaze. “You will do as you please. No doubt.”
“You have blood on your hands Lady Jessamine.”
Her mouth opened as if to speak then clamped shut, her eyes now fixated on a spot on the floor. Temper had him reeling off three more names just as coldly, each was met with stoic silence. Her body was as still as a statue, and her composure just as hard. “Are you proud of yourself Lady Jessamine? Do you feel no shame for what you have done? No compassion for the lives you have destroyed? The widows and innocent children left bereft and impoverished by your greed and avarice?”
Her head whipped around and those untrustworthy eyes were swimming with unshed tears. “You know nothing about me Monsieur Flint! Nothing! And I shall tell you nothing. You can name every dead man. Every member of his family. Blame me for every travesty. And I shall reward you with my silence. My secrets are mine to take to the grave! A grave I am fully aware I might lie in soon.” One fat tear trickled over her ridiculously long and dark lower lashes and dripped down her cheek. Flint had seen enough female tears to be unaffected, but the matter of fact way she swiped it away and proudly set her shoulders got to him.
His words had hurt her. Deeply. He knew it with the same certainty that he knew his own mind. Lady Fane had a conscience. Something he didn’t want to know.
 
~
The Uncompromising Lord Flint
By
Virginia Heath
Imprisoned by her past—set free by her enemy!
Purchase Link
Charged with high treason, Lady Jessamine Fane is under the watchful eye of icily calm Lord Peter Flint.
It's a task this spy won’t be swayed from, no matter how alluring his prisoner! Only it’s not long before Flint realises that tenacious Jess hides a lifetime of pain.
With so much at stake, can he afford to take a chance on their powerful attraction?
~
When Virginia Heath was a little girl it took her ages to fall asleep, so she made up stories in her head to help pass the time while she was staring at the ceiling. 
As she got older, the stories became more complicated, sometimes taking weeks to get to the happy ending. Then one day, she decided to embrace the insomnia and start writing them down. 
Despite that, it still takes her forever to fall asleep.
Social Media Links –

And now for the giveaway!

Win 2 x e-copies of The Uncompromising Lord Flint (Open INT)


*Terms and Conditions –Worldwide entries welcome.  Please enter using the Rafflecopter box below.  The winner will be selected at random via Rafflecopter from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days, then I reserve the right to select an alternative winner. Open to all entrants aged 18 or over.  Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, except for the winners’ information. This will be passed to the giveaway organiser and used only for the fulfilment of the prize, after which time I will delete the data.  I am not responsible for despatch or delivery of the prize.
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Wednesday, 28 November 2018

Wow, wow, WOW! This is most certainly a book to read this winter! I've bagged the author for an interview. Check him out! #historical #fiction #murder #mystery #romance .@stevenneil12 .@rararesources



The Merest Loss
A story of love and political intrigue, set against the backdrop of the English
hunting shires and the streets of Victorian London and post-revolutionary Paris.


When Harriet Howard becomes Louis Napoleon’s mistress and financial backer and appears at his side in Paris in 1848, it is as if she has emerged from nowhere.
How did the English daughter of a Norfolk boot-maker meet the future Emperor?
Who is the mysterious Nicholas Sly and what is his hold over Harriet?

Order your copy today!
Can Harriet meet her obligations and return to her former life and the man she left behind? What is her involvement with British Government secret services? Can Harriet’s friend, jockey Tom Olliver, help her son Martin solve his own mystery: the identity of his father?

The central character is Harriet Howard and the action takes place between 1836 and 1873. The plot centres on Harriet’s relationships with Louis Napoleon and famous Grand National winning jockey, Jem Mason. The backdrop to the action includes significant characters from the age, including Lord Palmerston, Queen Victoria and the Duke of Grafton, as well as Emperor Napoleon III. The worlds of horse racing, hunting and government provide the scope for rural settings to contrast with the city scenes of London and Paris and for racing skulduggery to vie with political chicanery.

The Merest Loss is historical fiction with a twist. It’s pacy and exciting with captivating characters and a distinctive narrative voice.


An interview with the writer of 

THE MEREST LOSS
by 
Steven Neil

What/who do you draw inspiration from? Or who do you aspire to be like as an author?
I am inspired by all the great writers of all the great books I have ever read. To name just a few: The Remains of the Day, Kazuo Ishiguro; Tess of the D’Urbervilles, Thomas Hardy; The Catcher in the Rye, J.D.Salinger; Rebecca, Daphne du Maurier; The Great Gatsby, F. Scott Fitzgerald, Le Grand Meaulnes, Alain-Fournier. Amongst contemporary writers Wolf Hall, Hilary Mantel has influenced my writing style the most.

How much research and what sort of research do you do?
The Merest Loss took three years from conception to publication: two years of research and one year of pure writing. Fortunately, I enjoy the research process and endless hours trying to achieve historical accuracy through the portals of the internet and the British Library has, I hope, paid off.

What are the common traps for aspiring writers/or tips for a newbie writer?
I have met some tremendously naturally gifted writers but that alone will not make you a published author. I genuinely believe that, however gifted, you need to learn the craft of writing. Invest in a creative writing course and learn about structure, plot, point of view, character, setting and dialogue before you start writing. When you have finished the first draft of your novel, understand that you have only just begun the process of writing a publishable novel. Even if all your friends and family tell you your novel is brilliant, invest in an independent development and copy editor before you even think about publication.

Why did you write this particular book?
Originally, I was planning to write a Dick Francis style thriller and I was researching a jockey called Jem Mason, who won the first Grand National at Liverpool in 1839. I found a line in his description which said something like ‘also famous for his relationship with Harriet Howard, who ran away to live with him in London when she was fifteen and who also became Louis Napoleon’s mistress and financial backer’. I decided she was an even more interesting character and I set about writing a fictional account of her life.

What is your book about? Genre, tone, POV etc.
The Merest Loss: A story of love and political intrigue, set against the backdrop of the English hunting shires and the streets of Victorian London and post-revolutionary Paris. It is historical fiction but it is also a romance. Most of the novel is written from the point of view of the omniscient narrator, writing in the present tense, although this is interspersed with four strategic chapters, from the point of view of one of the characters, in the past tense. I like the idea of varying the presentation and I also make use of letters, newspaper articles and reviews to provide additional perspective.

Give me the first, middle and end line in your book.
From chapter one, A French Accent, Newmarket, England, 1862: The young man who walked into my Newmarket racing yard that red-skied spring morning was tall, slim and blessed with all the charm that a faultless command of English, with a strong French accent, bestows.

From chapter seventeen, Everything is Risked, London, England, Paris, France, 1850: In the spring of 1850, Jem Mason and Tom Olliver are called to a meeting at Manchester House in Manchester square, London. They arrive early and sit on a bench in the square to share cheroots. The plane trees are already in leaf and the lawns glisten under a light morning dew, as the sun rises over the rooftops. Thrushes pick at the moss and blackbirds rustle in the undergrowth of the ornamental bushes. As the air warms, the smell of jasmine mingles with the tarry tang of the cheroots. Tom checks his watch and swings it into his waistcoat pocket.

From chapter thirty-six, One Day, Wroughton, England, 1873: Of course, we all need to hold on to something. I dream that one day a horse will come along that can take me to Epsom and win the Derby. It is what keeps me going. George Frederick might be that horse. I pray god I’ll live long enough to see him there.

Is there an underlying theme to this book?
I was fascinated by the idea of a romance where the two characters are thwarted by their own temperaments; they are both unromantic, stubborn and uncompromising. How will it ever be possible for them to get together when they seem unable to resolve arguments, even though everyone around them can see they are well suited together?

What’s the best/saddest/funniest/shocking one-liner from the book?
From chapter fourteen, The Return, London, England, Paris, France, 1848: Harriet says: ‘Perhaps. I am surprised how easily the lies come now. Almost everything I say to Louis is a lie.’
Lady Blessington replies: ‘I think if we tell a man something he really wants to believe, then it doesn’t count as a lie, even if it is.’

Is there a dedication?
Yes. My thanks go to: my wife Carol, for her constant encouragement and support, my university tutors and fellow students for their guidance and feedback, and those kind people who read my drafts and offered insights and suggestions. This book would not have been possible without you.

Can you share a few lines from your best review of this book?
‘It took me just a few minutes to become totally absorbed in this book; when I saw the list of characters at the front I thought I would have trouble keeping up with the plot, but Steven Neil's fluid style and well-structured storyline meant I had no trouble on that score. My only problem was having to put it down at night! I just could not stop reading it in every spare moment; my curiosity about the characters' journey through life kept the pages turning. Historical fiction is not a genre I would usually choose, but I would thoroughly recommend The Merest Loss as a great read.’ Nick the Floot on Amazon 3 July 2018

Order your copy today!


Author Bio – Steven Neil has a BSc in Economics from the London School of Economics, a BA in English Literature and Creative Writing from the Open University and an MA in Creative Writing from Oxford Brookes University. 

In his working life he has been a bookmaker’s clerk, management tutor, management consultant, bloodstock agent and racehorse breeder. He is married and lives in rural Northamptonshire.


Sunday, 1 July 2018

Author interview, exerpt, competition, what more could you want! Check out this frisky read by @LaurieBwrites @rararesources #regency #romance


One Week to Wed
by
Laurie Benson

One Stolen Night…leads to unexpected wedding vows!
Widowed Lady Charlotte Gregory believes she’ll never love again after losing her husband, until meeting dashing Lord Andrew Pearce brings her respectable, lonely world back to vibrant life!
Left alone one night, they give in to their desires only to find their secret passion leads to shock, scandal…and a sudden marriage of convenience.
This book is the first book in The Sommersby Brides series about three sisters who find themselves in three scandalous situations that lead to three very different proposals.
Buy links


Let the interview commence… 

What’s your least favourite part of the writing process?

This is going to sound really odd, but my least favorite part is the writing. When I’m writing the first draft and staring every morning at a blank page, it can feel daunting. I’d much rather revise the story after the first draft is complete. Refining my word choices and flushing out scenes is much more fun for me.


How do you juggle a writing schedule?

I’m an early morning writer. My creative brain works best when I still have sleep in my eyes. When I’m working on a book I’m up around 4:30 am and start writing for a few hours. I’ll take a break to drive my youngest to school and then I’m back writing until I pick him up in the afternoon. Before I go to bed at night, I’ll read over what I wrote that day and make any revisions to the text.


Do you set yourself goals when you sit down to write such as word count?

Going by word count doesn’t work as well for me as concentrating on writing a chapter a day. My ideas come in terms of scenes, so it’s easier for me to think about writing a complete scene than it is about writing a certain number of words.


Why did you write this particular book?

I have a very close friend who was widowed at a young age.  Sometimes she will share her dating horror stories with me. After meeting her for dinner after one particularly bad date, I felt compelled to write a book that might give hope to people who have lost loved ones that you can fall in love twice in a lifetime. Having a sense of hope is such an important part of surviving in the world we live in.

What is your book about?
ONE WEEK TO WED is a Regency romance about an agent of the crown and an independent widow that share one unexpected night of passion that leads to an unknowing betrayal, divided loyalties, and a marriage of convenience. It’s the first book in The Sommersby Brides series about three sisters who find themselves in three rather scandalous situations that lead to three very different proposals. Since ONE WEEK TO WED is part of this series, it also deals with the complicated relationships that can develop between sisters.


Is there an underlying theme of the book?

I’d say the theme of ONE WEEK TO WED is that it is never too late to find love, even if that means you had found it with someone else once before. By Regency romance standards, my hero and heroine are on the older side for lead characters. Lord Andrew Pearce, is thirty-one and Lady Charlotte Gregory is actually a year older than Andrew at thirty-two. They both believe that marriage isn’t in their future. Andrew, who is an agent of the crown, knows he leads a dangerous life and does not want to risk leaving a wife and child behind should he die prematurely in the course of duty. Charlotte was fortunate to marry for love once and then became a widow when her husband died at Waterloo. She doesn’t believe the heart is capable of falling in love twice in a lifetime. But they both come to learn that love can develop when we least expect it.



Excerpt from 
One Week to Wed
Was he feeling it, too? Charlotte’s gaze dropped to his lips just as a giant boom reverberated through the hills. They both turned towards the house to see more colourful lights shoot into the sky and crackle apart.

‘I’m thinking about kissing you.’ He said it in such a matter-of-fact way, as if the idea would not set her body aflame—as if the idea of kissing this practical stranger would be a common occurrence.

Charlotte had only kissed one man in her life. She never thought she would want to kiss another—until now. Now she wanted to know what Andrew’s lips felt like against hers. She wanted him to wrap her in his arms where she would feel desirable and cherished. And she wanted to know if his kiss could be enough to end the desire running through her body.

He placed his gloved finger under her chin and gently guided her face so she was looking at him. The scent of leather filled her nose. There was no amusement in his expression. No cavalier bravado. Just an intensity that made her believe if he didn’t kiss her right then, they both would burn up like a piece of char cloth.

It was becoming hard to breath and if he did in fact kiss her there was a good chance she would lose consciousness from lack of air. But if he didn’t kiss her…

She licked her lips to appease the need of feeling his lips on hers.

He swallowed hard. Almost hesitantly, he untied her bonnet and put it aside. Gently, he wrapped his fingers around the back of her neck, pulled her closer, and lowered his head. She closed her eyes and his lips faintly brushed hers. They were soft, yet firm, and she wanted more.

Author bio

Laurie Benson is an award-winning historical romance author that writes flirty and frisky Regency romance stories about men in boots and the women who fall for them. She began her writing career as an advertising copywriter, where she learned more than you could ever want to know about hot dogs and credit score reports.
When she isn’t at her laptop avoiding laundry, Laurie can be found browsing antique shops, going on ridiculously long hikes, or sitting in her car on the school pickup line. She lives with her husband and two sons in a house filled with testosterone—even her bunny is a boy. For more information about Laurie and her books, visit her website at lauriebenson.net.

And now the competition!!!!


Giveaway – Win a signed copy of One Week To Wed (Open Internationally)

*Terms and Conditions –Worldwide entries welcome.  Please enter using the Rafflecopter box below.  The winner will be selected at random via Rafflecopter from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days then I reserve the right to select an alternative winner. Open to all entrants aged 18 or over.  Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, with the exception of the winners’ information. This will passed to the giveaway organiser and used only for fulfilment of the prize, after which time I will delete the data.  I am not responsible for despatch or delivery of the prize.

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If you like #syfy #alien #romance books check out this extract from EDEN

Excerpt from the book  Eden by Louise Wise Dizziness swamped her. Then sunlight fell on her in a burst of fresh, cold air as...