Louise Wise (also writes as T E Kessler): advice for writers
Showing posts with label advice for writers. Show all posts
Showing posts with label advice for writers. Show all posts

Monday, 8 April 2019

Advice for writers: How to write conflict and make it real. Celia Moore offers advice… @rararesources @celiamoorebooks #romance #mystery #writingtip #authortip #writerslife #mustread #fiction



Writing Conflict



by

Celia Moore

     



I had a scene in my first draft of my novel Fox Halt Farm where one character needed to confront another, which my wonderful editor Amanda Horan gently suggested needed overhauling.



In truth, I am a person who runs away from conflict, ducking my head, sliding away from my challenger, or at worst, becoming a blubbering ball of regret. My original story was full of love with the repercussions of betrayal and lies neatly skipped over.



In fact, when I rewrote the scene, I actually enjoyed the experience and felt my book became so much stronger because of the stand-off I created, and the tension it evoked.


Case Study: I am not going to use ‘real’ characters here because the scene in Fox Halt Farm that I am critiquing comes late in the story and although there is forewarning the confrontation should be unexpected.  It is brought about when ‘Anne’ (not her name) finds out that the admirable ‘David’ has been lying to her. These are a few of the elements that I used to make the conflict between them real.



·       The two characters had different objectives which really mattered to them.

·       Normally, Anne would be passive and David an aggressor, but Anne’s distress brought about by David’s deceit gives her energy and determination enough to stand up to him. She also uses an element of surprise to try and even the difference in their power levels. She is surprisingly confident when the reader knows that David will be a difficult adversary.

·       Anne confronts David in a place where their conflicting differences have to be resolved there and then, neither party wants to walk away.

·       This scene is needed to reinforce David’s true nature to the readers – up until this point he had seemed benevolent. It is used to identify David’s priorities too. The conflict was required to split these two characters up permanently. Lastly, I wanted the tension to build and continue.

·       David’s business, personal and family life are all at risk.

·       Anne is conflicted, trying to fight but being naturally tearful when angry, and losing self control. She struggles with her emotions, exploding violently at one point. David, in contrast is mainly in control of all his actions, using his intellect to outmanoeuvre Anne, building emotional friction.

·       Anne keeps being knocked down but gets back up ready to fight each time.

·       David has arguments to endorse his behaviour but he also uses his superior physical strength too. Demonstrating to the reader how passionate he is about defending himself.

·       I wrote the conflict through dialogue to display contempt, revenge and hatred, which I interspersed with physical actions. I wanted to provide the reader with visual detail to enhance their understanding of their differing levels of emotion, and the challenges Anne and David faced.

·       I created a dilemma for Anne to worry the reader, aware of her frailty – at this point she seems to have lost the battle – but eventually she manages to use this predicament to her advantage.

·       I wrote from Anne’s perspective allowing her to analyse each of David’s moves, making decisions to beat him – but each time David reacts cleverly to test her again.

·       The conflict ends in an impasse – Anne has lost and regrets the confrontation, fearing it will make things worse for her, but this argument will have repercussions for David too, this is not a definite victory for him.

·       Anne’s grief and need for healing overwhelms her – she sees things in a new way , leaving readers anticipating what will happen next.



This is not meant as a definitive ‘how to’, I am far too self-conflicted to think I know it all. I still have lots to learn but I hope this gives some ideas, maybe there is something here that you can use too?



*****My sequel to Fox Halt Farm, Culmfield Cuckoo has just been published, and I really loved writing the conflict elements in this new novel.*****

   
INTRODUCING…
Culmfield Cuckoo
by
Celia Moore
When Billy reaches out to help, her kindness brings many changes which threaten hopes, homes, and even the people she loves the most.
Who is the Culmfield Cuckoo?
Will they help Billy get her life back? Or is the Cuckoo the cause of everything that is going wrong?
Who is telling the truth?

FOX HALT FARM by Celia Moore is the first book in the series, and Fox Halt Farm is FREE from Tuesday 2nd April 12am PDT finishing on Saturday 6th 11.59pm PDT.
Grab your free copy NOW!! But if that freebie isn't enough, scroll below to enter a competition for an Amazon giftcard!









About the author.

Celia Moore (1967-now) grew up on a small farm near Exeter. She had a successful career as a Chartered Surveyor working in the City of London before working her way back to Devon. In 2000, she left the office to start a new adventure as an outdoor instructor, teaching rock climbing and mountaineering. 

Today she gardens for a few lovely customers, runs and writes (accompanied at all times by a border terrier x jack russell called Tizzy). She is running the London Marathon in April 2019 for three cancer charities.

Social Media Links –


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Thursday, 8 February 2018

Advice for writers: How to fill that blank page! Sally Jenkins offers excellent advice! @rararesources @sallyjenkinsuk #psychological #thrillers #writingtip #writerslife #mustread #fiction



                                         
Conquer Writer’s Angst 

by
Sally Jenkins
     

Being a writer is a scary business. It starts with a blank page and the fear of failing to fill it. It finishes with publication or submission for critique and the accompanying terror that readers will hate what we have written. 
Apart from popping pills and downing alcohol, how can we get control of this constant literary angst? 
Tips for Blank Page Trauma 
·       Write quickly. Pretend every month is November and NaNoWriMo.
·       Write the scene that’s buzzing in your head. Scenes don’t have to be written in the order they appear in the book.
·       Don’t read any of it back until you’ve reached the end of the story.
·       Banish that self-confidence seeping gremlin who whispers in your ear about how rubbish the writing is. The gremlin knows nothing!
·       Have an external deadline to aim for. Competitions are good for this – you don’t want to miss the closing date and the potential for prize money!
·       Accept that it’s OK to hate your first draft. It’s easier to improve a bad first draft than write perfect prose from the start.
·       Write because you love that afterglow feeling of ‘having written’. It’s the same high as ‘having exercised’. 
Tips for Accepting Criticism 
·       Understand that the adverse comments apply to one particular manuscript or book only. They are not personal or necessarily applicable to all your work.
·       You are always in control. Analyse the criticism and then decide whether or not to act on it. 
·       Taking criticism on board and giving it serious consideration shows maturity as a writer.
·       The only way to avoid criticism completely is to never show anyone your work. If you do that, what was the point in writing it? 
The Case Study 
My second psychological thriller, The Promise, was published on 28th January 2018. I banished the blank page blues by aiming to finish the novel by the closing date of a competition with a prize of publication and £1000. I kept myself buoyant mentally by imagining how I would feel when the novel was published and the prize money mine.  
I entered but didn’t win the competition. However I did now have the complete manuscript of a novel – a prize in itself! 
The next step was obtaining feedback on the novel. I sent The Promise for a critique. Two big ‘failures’ in the novel were highlighted: 
·       A romantic subplot didn’t work because there was no chemistry between the two characters supposed to be in love. The reader said, “You are much better at conjuring up a scene of horror. The psychological thriller is your genre.”
·       The structure could be improved. An inciting moment in the novel takes place thirty years ago in prison. I’d written the novel chronologically from this moment. The reader suggested the novel would be better starting in the present day with flashbacks to the past.
·       This criticism hurt and taking it on board would mean a major rewrite. But if I didn’t take action the money spent on the critique and all the time spent writing the novel would be wasted.  
I rewrote the novel. Then I used a beta reader. She came back to me with some minor changes, for example, too many names beginning with the same letter. In her summing up she described The Promise as ‘a fast- paced psychological thriller with stark, dark elements at play. The characters struggle with the central dilemma.’ 
Armed with confidence from my beta reader’s comments, I directly approached The Book Guild, the publisher involved in the competition that I hadn’t won. After a wait of several weeks they offered me a publishing deal.  
I did a happy dance and some alcohol was downed (!) but this time in literary celebration rather than to fight fear. Someday soon I hope to raise a glass to you, your writing success and banishment of writer’s angst!       


                                                    

Introducing...
The Promise

A man has been stabbed. A woman is bloodstained. The nightmares from her teenage years have begun again for Olivia Field – just as she is preparing to marry.
Amazon
Ex-convict, Tina is terminally ill. Before she dies, the care of her younger, psychologically unwell brother, Wayne must be ensured. So Tina calls in a promise made to her thirty years ago in a prison cell. A promise that was written down and placed with crucial evidence illustrating a miscarriage of justice in a murder case.

Tina believes Olivia is perfectly placed to provide the care Wayne needs, but to do so, Olivia must be forced to cancel her own wedding and wreck the lives of those close to her. Tina’s terrible blackmail demands put Olivia’s entire future and, ultimately, her freedom under threat.

The Promise is a fast-paced psychological thriller told from several third person viewpoints. The novel explores the lengths to which people are prepared go in order to protect those they love and the impossibility of ever fully escaping our past actions.

~



Sally Jenkins lives in the West Midlands. She is a member of a Speakers’ Club, a volunteer library reading group coordinator and a church bell ringer.
Sally's first psychological thriller, Bedsit Three won the Ian Govan Award.