Louise Wise (also writes as T E Kessler): Rebel-Maker

From Louise Wise

Showing posts with label Rebel-Maker. Show all posts
Showing posts with label Rebel-Maker. Show all posts

Tuesday, 26 July 2011

Two humble pieces of advice for aspiring authors.


Advice from a Rebel-Maker
by
Debra Chapoton

I have two humble bits of advice for aspiring authors. First, give your characters free rein. Let them change the story on you. Life is an adventure; we don’t know what tomorrow will bring and a novel should be just as surprising for the author as for the reader.

I started EDGE OF ESCAPE with a particular ending in mind. In fact, I wrote the penultimate scenes immediately after writing the beginning scenes. Rebecca, the victim, would be rescued, I thought. I wrote a scene of her recovering in the hospital with a young male character standing vigil. I didn’t name him so I could keep the reader guessing. Kidnapper , boyfriend, brother? I thought I knew who it was when I wrote the scene, but it turned out that I was wrong. I can control the circumstances and events as they unfold, but by giving the characters free will, I give the book its own world.

I don’t write a lengthy outline like some authors, but I do have a plan, just like in life. But, just like in life, things don’t go the way I plan; there are twists, turns, surprises and problems. I guess you could say that my characters rebel against me, their creator, just like we humans have been rebelling against our Creator since Adam and Eve.

When I first started writing many years ago I got into the habit of following a writing routine. First I like to proofread the previous day’s pages then go for a walk. With the last scenes fresh in my mind I create new action, dialogue and dilemmas as I get my exercise. Forty-five minutes later I sit back down to type. The characters obediently follow my plot ideas for a few paragraphs and then . . . bam! They rebel. I don’t mind because what they decide to say and do keeps me interested and entertained.

My second piece of advice is to love your characters, even the evil ones. Care for them. Give them hopes, dreams, habits, idiosyncrasies, goals, fears and flaws. Make sure your protagonist has some defect and your antagonist has some merit; nobody is all good or all bad.

Everybody has a book inside. If a colleague hadn’t challenged me with that statement I never would have written my first book, let alone several. You have a book inside – go write it!
Debra Chapoton

EDGE OF ESCAPE reveals the fractured heart of Eddie, an emotionally impaired 18-year-old who has spent most of his school years in special education classes. Placed there by an over protective mother who also blames her son for his unintentional part in his father's death, Eddie is kept separated from normal student interactions.



Eddie's guilt and his place among the unaccepted serve to keep him invisible to the rest of the students, especially the popular ones. His uncontainable obsession for the popular Rebecca compels him to devise a plan to pull her into his world and win her over.


What should have been appropriate advances become, for Rebecca, the terror of stalking and abduction. She wakes up trapped, she escapes, and then she makes a wrong choice and is trapped again. Throughout her ordeal as she escapes again and again, there are flashbacks into both Rebecca's and Eddie's lives and how those lives have been intersecting all through their school years. If she falls for the fragile spirit who stalks her, does love erase evil intent? If she fails to see the innocent infatuation for what it is, will she be responsible for the inevitable tragedy that foreshadows their tangled fate? 



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