Louise Wise: how to edit a novel
Showing posts with label how to edit a novel. Show all posts
Showing posts with label how to edit a novel. Show all posts

Wednesday, 5 December 2012

NOTES YOU MAY WANT TO IGNORE

by
Hy Conrad 


Every writer is different.  But, if I may be allowed, I’m a little “differenter”.  That’s not to say better.  I’m just warning you, my advice may be of no help.

You’re welcome.

Throughout my career, my work has been divided into two distinct groups; TV (writing for Monk and White Collar) and books, each with its own demons.  And though my ideas about editing may not apply to anyone else, there may be a kernel in here – something you haven’t heard before.  Let’s start with TV.

In television, everyone gives you notes.  I mean everyone, from the star to the network head to the lady in wardrobe.  It’s also a rule that every note has to be addressed, not necessarily followed, but addressed.  This is infuriating but instructive.  It gives you a chance to think about your choices and defend them – or change them.

My biggest insight into TV editing is that stupid notes can be worthwhile.  For example, I once got a note saying a script was too funny.  My first reaction was, “Hey, stupid!  It’s a comedy.”

Enter the cafe (VBT)
But when I read it again, I figured out what she meant.  As you got halfway through my script, the comedy started becoming less and less grounded.  So I inserted a quiet moment, where all of the characters reassessed their situation.  Not a joke in the scene.  But it added a sense of normalcy and made the funny parts funnier.

So just because a note sounds ridiculous doesn’t mean it’s unfounded.  Just figure out what it means.

In writing books, I’m a proponent of self-editing.  That’s mainly because I have an over-developed sense of structure and can usually tell when the story is going off the rails.  When my editors do take over, it’s usually to work on the small things, some insights into character perhaps, or to tell me to put the quotation mark after the period, even if it doesn’t look “right.”  (Does that look right to you?  Well, it doesn’t to me.)

Once a month during the writing process, I’ll set aside a day and review the book so far.  I also hang a big note above my computer asking, “Why is this important?  Why should I care?”  (I don’t really; but you get the drift.)