Louise Wise (also writes as T E Kessler): Contemporary Romance defined

From Louise Wise

Showing posts with label Contemporary Romance defined. Show all posts
Showing posts with label Contemporary Romance defined. Show all posts

Tuesday, 3 September 2013

Is chick lit intellectual enough for you?

by
Laura Barnard 

Often, when I tell people I’ve written a book their face lights up.  

‘What kind of book is it?’ they ask, surprised that I could write more than a post-it note.

‘Chick-lit.’ 

Then their faces drop.

It grates on me that the minute they hear 'chick-lit' they dismiss it as if I’ve written nothing more than a diary entry. I’m proud to be a writer of chick-lit and also proud that I'm an avid reader of it.

It’s considered to not be intellectual enough for some people.  Unless you’re reading something that is ridiculously confusing and makes your head hurt you’re not smart enough to be considered a book-worm.
Author Laura Barnard

I couldn’t disagree more.  Any book, regardless of genre, is good as long as people enjoy it.  

Why do I read chick lit?  Like most people I have a busy life, and at the end of the day I enjoy a cup of tea and to indulged in someone else’s life. I don’t want to read a horror and be scared someone is out there waiting to kill me, neither do I want to read a thriller (after a long day I can barely remember my name let alone keep track of a government agent double crossing another agent!).  

What I want is to read about a group of friends having fun. I want to hear about other women getting into tricky, hilarious situations. Most of all I want to fall in love with a gorgeous man who I can dream about without the guilt of them being a real person. I’ve been known to utter a fictional character's name in my sleep much to the horror of my husband. I can reassure him he’s not a real person.

What I’ve decided instead is that these people who judge are pretentious idiots with nothing better to do with their lives. But each to their own. I personally judge a book on how it makes me feel by the end. If I loved it and can’t get it out of my head it’s a winner.
  

Friday, 30 November 2012

Contemporary Romance defined

by
Elizabeth Jasper Writer

Contemporary ~ adj.   1. living, occurring, or originating at the same time.  2. Belonging to, or occurring in the present > modern in style or design.

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Romance ~ noun.   1. A pleasurable feeling of excitement and wonder associated with love > a love affair, especially a relatively brief and light-hearted one. > a book or film dealing with love in a sentimental or idealized way.  2. a quality of feeling of mystery, excitement and remoteness from everyday life.  3. A medieval tale dealing with a hero of chivalry, of the kind common in the Romance languages.  4. Music, a short informal piece. ~ verb. 1. Be involved in an amorous relationship with (someone).  2. Seek the attention or custom of, especially by use of flattery.  3. romanticize. (OCED, 11th Edition, Revised)

From the point of view of a writer, the ‘contemporary’ part of the genre title is straightforward.  If you, or someone you know, or know of, who has lived through the events or period described, then that is contemporary.  So, when I wrote a story about a girl growing up in the 1960s, it could be described as contemporary because I, along with many other people, can remember the 1960s and the events that took place back then. As the girl in the story was only eleven, there was no question of there being any ‘romance’ in there whatsoever. 

Romance, though, is a particularly difficult term for the writer to quantify.  When does a story become a romance?  Is it when the protagonists exchange warm glances, or when they first kiss, or when they achieve their (ahem!) happy ending?  How much romantic content is necessary in a book for it to be described as a romance? How much does romance have to do with sex? Does a focus on the sexual aspects of a relationship mean a book cannot be described as a romance? When does a book move beyond being described as a sexy romance into the realms of erotic fiction? How does Chick-Lit fit in to contemporary romance? Or, is it a question of a reader instinctively knowing what contemporary romance is when she reads it?

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I’m currently writing a sequel to the 1960s story, and it does have some romantic aspects. Teenage girls and boys are discovering one another throughout the story and by the end they have boyfriends and girlfriends.  How can I describe this story?  YA Romance, Coming of Age Romance, or just YA or Coming of Age? When my mum’s best friend devours Mills & Boom Romances by the dozen, it would appear to be straightforward, but Mills & Boon have ‘levels’ of romance, from innocent, romantic relationships to quite steamy ones. Then there is the infamous ’Fifty Shades of Grey’.  Romance, or erotica?  If a relationship is examined in depth within a book, does that qualify as romance, even if the relationship is abusive but the protagonists love one another?

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So many questions, and the answers will be different from every reader’s or writer’s point of view depending on their personal experiences and preferences.  So, how can a writer judge whether or not their work is a romance?  Answers on a postcard…

Elizabeth Jasper









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